Devil has all the best tunes
The Origins of the Phrase “The Devil Has All the Best Tunes”
The phrase “The Devil has all the best tunes” is a popular idiom that suggests that music associated with rebellion, mischief, or the darker aspects of life often holds a certain allure or appeal. This saying has its roots in both cultural history and the evolution of music, particularly in the context of religious and moral perspectives on art. Understanding the origins of this phrase requires a look into its historical context, its evolution in literature, and its implications in modern society.
Historical Context
The phrase is believed to have originated in the 19th century, although its exact origins are somewhat murky. The sentiment behind the phrase can be traced back to the tension between religious beliefs and the secular world. In many cultures, music has been viewed as a powerful force, capable of influencing emotions and behaviors. The church, particularly during the Middle Ages and the Renaissance, often regarded certain types of music as sinful or morally questionable, especially those that were associated with revelry, dance, and the secular life.
During this time, the church promoted hymns and sacred music as the only acceptable forms of musical expression. However, as secular music began to flourish, particularly with the rise of folk music, jazz, and later rock and roll, the idea that “the Devil has all the best tunes” emerged as a way to express the notion that the most captivating and enjoyable music often came from sources deemed inappropriate or sinful by religious standards.
Literary References
The phrase itself is often attributed to various literary sources, with one of the earliest references appearing in the writings of the English poet and playwright, William Blake. In his poem “The Devil’s Party,” Blake explores the idea that the Devil, as a symbol of rebellion and freedom, possesses a certain charm that draws people in. This notion was further popularized in the 19th century by various authors and playwrights who used the phrase to illustrate the conflict between good and evil, particularly in the context of artistic expression.
Another significant literary reference comes from the works of the English novelist and playwright, George Bernard Shaw. In his play “The Devil’s Disciple,” Shaw explores themes of morality and the nature of good and evil, often suggesting that the allure of the Devil lies in his ability to provide what is forbidden or frowned upon by society. This literary exploration of the phrase helped cement its place in popular culture.
Musical Evolution
As music evolved through the 20th century, the phrase gained further traction, particularly with the rise of genres like jazz, blues, and rock music. These genres often challenged societal norms and were frequently associated with rebellion against the establishment. The phrase “The Devil has all the best tunes” became a rallying cry for those who embraced the idea that the most exciting and innovative music often came from the fringes of society.
Jazz musicians, for example, were often seen as outlaws, pushing the boundaries of musical expression and challenging the status quo. The improvisational nature of jazz, combined with its roots in African American culture, made it a target for criticism from conservative elements of society. Yet, its popularity and influence grew, leading many to embrace the idea that the “best tunes” were indeed those that defied convention.
Modern Implications
In contemporary society, the phrase continues to resonate, particularly in discussions about artistic freedom and the role of music in culture. It serves as a reminder that the most compelling art often emerges from the tension between societal norms and individual expression. The phrase has been adopted in various contexts, from discussions about popular music to debates about censorship and artistic integrity.
In conclusion, the phrase “The Devil has all the best tunes” encapsulates a rich history of cultural conflict, artistic rebellion, and the enduring allure of music that challenges societal norms. Its origins in literature and its evolution alongside musical genres reflect the complex relationship between art and morality, making it a timeless expression of the human experience.